In this mode, the Direction knob sets the position of the Mid and the Spread control defines the level of the Sides recording, and thus the width of the combined signals. You need to make sure your Mid mic is the ‘left’ channel and the Side the ‘right’ before routing these into the plug‑in, and also that you have M‑S mode selected. You can also process Mid‑Sides recordings using the Direction Mixer. It’s also useful to be able to widen or narrow the higher frequencies in the kit. Using the Direction Mixer I can mono‑sum all frequencies under 200Hz, effectively pulling the low frequencies (and thus the bass drum) into the centre. I’ve been working with a drummer who has been using the Glyn Johns recording technique and, while I do have a separate bass drum recording, the low end is seriously off to the left in the two kit microphones. Using the Direction Mixer’s frequency splitting mode.If you select the Split mode, you can independently adjust the stereo spread of two different frequency ranges, as defined by the crossover setting. This works better on some sources than others, but it can be useful as an effect.
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A value of 1 is full width, 0 is mono, and you can widen the stereo image beyond the full range of the pan pot with values greater than 1. The Direction knob sets the centre of the stereo image (values above 90 swap the left and right channels), while the Spread bar changes the width of the stereo field. The Direction Mixer not only allows for panning, but also has advanced stereo‑balance options, as well as adjustable stereo width.When in LR mode, the Direction Mixer plug‑in mimics the pan pot’s Stereo Pan mode. As is often the case with Logic Pro, there is another way to perform the same task - in this case, it’s called the Direction Mixer. While changing the stereo pan using the little handles on the pan pot is intuitive, I find it quite hard to adjust with any precision. I find this really useful for use with instruments that need to remain in stereo when panned, such as a Hammond organ played through a Leslie cabinet, as I can place the instrument off‑centre and narrow the spread but not lose that important sense of movement. In the Stereo Pan mode, moving the control changes the apparent centre position of the stereo field - and if you grab the little white squares at the end of the green line, you can also narrow it as well. This may or may not be what you are after though, as it can significantly change the sound of some stereo sources. Right‑clicking on a pan pot reveals several extra available panning options.īalance is the default mode, and this progressively lowers the level of the channel opposite to the direction in which you are moving the control, until it is completely muted. But if you have a stereo track, things are a little more complicated. With a mono track, this simply moves the source of the sound across the stereo field. The Pan control options available by right-clicking.The most obvious tool for moving sound around in a mix is the pan pot.
I’m assuming for this workshop that you have Surround Sound selected in Logic Pro’s Advanced Preferences pane, otherwise some of the options mentioned here will be unavailable.
Logic Pro has several tools available to manipulate audio in this stereo space, and a few more that should help engineers exploit the potential offered by the three‑dimensional sonic world to come. Go beyond the pan pot with Logic’s Direction Mixer.Įver since Alan Blumlein demonstrated his stereo recording techniques in the 1930s, engineers have been able to take advantage of our innate ability to locate sounds in a physical space in order to separate out sources and create movement within a mix.
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